Discover our latest issue!
The Light Observer explores light and how artists, photographers, scientists and more, understand and use light in their work.
This sixth issue revolves around the theme of “Play”.
Play of lights, theatre play, play of colour, playgrounds, play of the wind on the sand, playfulness... Duchamp reportedly said: “art is a game between all people of all periods”.
Selected Stories:
Henni Alftan
“I guess my paintings look like how I would describe things, rather than how they are.”
> Read the interview
⬑ Laida Lertxundi
Discover the series in our ISSUE 6
Daniel Canogar
“The found technologies become reactivated by the animations and light that emerge from the screens, revealing the spirit these devices once had when they were fully operational”
> Read the interview
⬑ Irene Fenara
Discover the series in our ISSUE 4
⬑ Sheung Yiu
Discover the series in our ISSUE 4
⬑ Arguiñe Escandón & Yann Gross - AYA
Read their interview in our ISSUE 3
Nico Krijno
“It’s an electro-bricolage process that’s very difficult to tease apart: it’s constantly shifting like a conversation that never stops.”
> Read the interview
⬑ Jeff Keen by Stella Starr
Discover the series in our ISSUE 6
Christo and Jeanne-Claude: Ephemeral Nature
Hexton Gallery is making available an extensive selection of Christo’s original drawings, collages, and wrapped objects from their private collection, many of which have never been shown to the public until now.
> Read the article
⬑ Cecilia Del Gatto
Discover the series in our ISSUE 5
Tracy Fullerton
“We are playing with light in many different ways that leaves the player uncertain about where and when they are.”
> Read the interview
Adrien Lucca
“I’m drawn to the idea of progression: while time passes something is happening. This is how I compose”
> Read the interview
Anthony McCall
“I work with light in very specific ways, causing it, paradoxically, to appear solid”
> Read the interview
⬑ Olafur Eliasson
Discover the article in our ISSUE 2
⬑ Alex Foxton
Read his interview in our ISSUE 2
Ann Veronica Janssens
“I try to make the material unstable, fluid, similar to experiences and situations.”
> Read the interview
⬑ Guillaume Simoneau
Discover the article in our ISSUE 1
Paul Rousteau
“These complex and intense emotions are difficult to translate visually. That’s why I experiment a lot.”
> Read the interview
“We can derive from light so much emotion, so much understanding and knowledge that the real importance of light is worthy to think about a lot”
©thelightobserver