Conceived as a studio notebook, this book brings together a series of compositions by Nathalie Du Pasquier, created directly on the floor of her studio in Milan. Everyday objects, drawings, books, photographs—each composition is made up of carefully chosen elements, like fragments of an intimate language. These visual arrangements, both precise and instinctive, reveal her way of combining forms and colours, of creating dialogues between things, in a balance specific to her pictorial practice. They offer a rare glimpse into her world—an off-screen view of her work. Each image is accompanied by a short text written by the artist. With a tone that is unmistakably hers—humorous, poetic, direct—these texts reveal the stories, resonances, memories or coincidences that link the elements together. This back-and-forth between image and writing gradually forms a subtle self-portrait, like a Chinese portrait. The book's design echoes the drawing pads the artist uses in her daily practice, highlighting the importance of paper, format, and drawing as a space for reflection. Part visual journal, part object collection, part sensitive narrative, this book offers a new perspective on Nathalie Du Pasquier's work—shaped by the clarity and freedom of her unique vision.